Spettacolo Film
A movie and entertainment guide. Inspired by Tuscany, Italy with big appreciation to love, family values and beauty of cinema.
"So poignant and is so intelligently told that it feels wrong, almost insulting, to call 'Spettacolo' charming, even if the movie is often delightful."
Manohla Dargis
New York Times
Featured Films
The finest of Italian and world cinema
Nosferatu 2025 è il film che Robert Eggers stava costruendo da sempre
Sinners: Ryan Coogler Builds a Blues Myth That Actually Bleeds
Conclave un film sul potere che non alza mai la voce
Rooster Review A Comfort Drama That Plays It Safe Despite Strong Cast
Normal Film Review A Neo Western Thriller That Hides Chaos Behind Small Town Calm
Mike and Nick and Nick and Alice Review A Chaotic Genre Mashup That Struggles to Find Its Voice
Margo’s Got Money Troubles Review A Glossy Drama That Avoids Its Own Reality
Why “Project Hail Mary” Feels Like the Last Optimistic Sci-Fi Blockbuster
The Housemaid: Proper Pulp Fiction That Doesn’t Pretend to Be Anything More
Why The Office still works as one of the most rewatched shows in modern television
Agora: The Gods We Choose
The Night of the 12th
Cam (2018): Remove the Protection from My Copy
The Bride Was Announced as Horror but Built as Something Else
Frankenstein Was Taken Seriously but Never Fully Believed
Prisoners: A High-Quality Adaptation of a Raw Script
Spoorloos: One director, one film - two completely different versions.
Bugonia: A Tragicomedy on the Limits of Madness
Latest from the Blog
Reviews, news and interviews from the world of cinema
Euphoria Season 3 Review — Beautiful, Disorienting, Brave, and Not Quite the Show It Used to Be
The first thing to say about Euphoria Season 3 is that it exists. Given what happened between Seasons 2 and 3 — the public breakdown of the Sam Levinson creativ...
Luca Moretti 
The Boroughs Review — The Duffer Brothers Prove They Were Never Just Stranger Things
The most interesting creative decision Matt and Ross Duffer made when developing The Boroughs — their first project since Stranger Things concluded its five-sea...
Sofia Laurent 
Steven Spielberg Returns to Large-Scale Science Fiction With Disclosure Day
There are directors whose names eventually become larger than genres themselves. Steven Spielberg belongs to that category. Audiences do not simply associate hi...
Jason Blake 
The Boroughs Review — Netflix’s Most Unexpected Sci-Fi Drama Is About Aging, Grief, and the Terror of Time
There is something quietly radical about the premise of The Boroughs. In an era where streaming platforms remain obsessed with youth, origin stories, and algori...
Luca Moretti The Paramount-Warner Bros. Discovery Merger Is Now Real — What It Means for the Films You Watch
The entertainment industry landscape shifted permanently in early 2026 when the Paramount-Warner Bros. Discovery merger completed, creating the third-largest me...
Elena Varga Summer 2026 Box Office Is Already the Most Unpredictable in a Decade — Here Is Why That Is Good News
The summer box office of 2026 is shaping up to be the most genuinely uncertain in recent memory, and if you pay attention to where Hollywood's money is going a...
Jason Blake 
The 98th Academy Awards — The Complete Analysis of What Happened, Why It Happened, and What It Means for Cinema
The Night Belonged to Two Films — and They Couldn't Be More DifferentThe 98th Academy Awards ceremony, hosted by Conan O'Brien returning for his second year, pr...
Sofia Laurent 
The Father (2020) — Review: The Most Terrifying Film About Dementia Ever Made, and the Best Performance of Anthony Hopkins' Career
The Quick VerdictThe Father is a masterpiece of controlled disorientation — a film that does not simply depict dementia but forces you to experience it from the...
Jason Blake 
What Mission: Impossible — The Final Reckoning Got Wrong About Its Own Audience
The numbers for Mission: Impossible — The Final Reckoning have now settled into their final shape, and they tell a story that the industry is going to spend the...
Jason Blake 
The Odyssey, Christopher Nolan and the Question of What Epic Cinema Is For
On July 17, 2026, Christopher Nolan's The Odyssey arrives in cinemas worldwide. It is the most anticipated film of the year — possibly of the decade — and it ca...
Elena Varga 
Sinners Is the Film That 2025 Deserved and Didn't Expect
There is a particular kind of film that arrives not just as a cinematic event but as a cultural argument — one that insists, by its very existence, on being tak...
Sofia Laurent 
Hollywood Salaries, Legacy Sequels, and the Economics Behind The Devil Wears Prada Sequel
The entertainment industry has once again turned its attention to the intersection of star power, franchise value, and modern box office economics following new...
Jason Blake 
Peacock Expands the Fast & Furious Universe with New Television Series as the Franchise Moves Toward Its Final Chapter
The Fast & Furious franchise is entering a new phase of expansion as NBCUniversal’s streaming platform Peacock develops a television series based on the glo...
Jason Blake 
Warner Bros. Developing a New Westworld Film Reboot with David Koepp Attached as Writer
Warner Bros. has officially launched development on a feature film reboot of Westworld, the iconic 1973 sci-fi western originally created by Michael Crichton. T...
Luca Moretti 
Ryan Gosling Returns to Space in the Most Human Sci-Fi Film of the Year
Modern science fiction cinema has spent years struggling to balance emotional storytelling with blockbuster scale. Some films disappear into overwhelming visual...
Jason Blake 
The Odyssey and the Question Nolan Has Been Building Toward His Entire Career
A screenwriter building a film around Homer's Odyssey faces a problem that most screenwriters do not discuss honestly, which is that the source material is not ...
Jason Blake 
The Devil Wears Prada 2 Is Glossy, Fun and Knows Exactly How Much It Is Not the Original
The original The Devil Wears Prada works because it is, despite its fashion-world surface, a film about something that has nothing to do with fashion. It is abo...
Sofia Laurent 
The Summer of 2026 Does Not Know What a Blockbuster Is For Anymore
There are summers in cinema history that feel like arguments. 1975 was an argument that the blockbuster could exist. 1999 was an argument that the blockbuster c...
Sofia Laurent 
The Last of Us Season 2 and the Problem With Adapting Grief
The Last of Us made one of the most audacious decisions in the history of prestige television drama in its first season, and largely got away with it. The third...
Sofia Laurent 
The A24 Effect Is Over — and That Might Be Good for Cinema
Somewhere around 2023, a particular kind of film became so recognisable that it generated its own parody category. Slow. Quiet. A child with an unsettling calmn...
Jason Blake 
Why Villain Actors Are Now More Valuable Than Heroes
There is a moment in almost every great contemporary film where the villain arrives and the movie becomes better. Not because heroes are uninteresting — the bes...
Sofia Laurent 
Hugh Grant on Heretic Dark Roles Faith and Reinventing His Career Slug
In Heretic, a psychological thriller from A24, Hugh Grant steps into one of the most unsettling roles of his career. Gone is the familiar charm of romantic come...
Sofia Laurent 
Mr Benn movie in development as Kirk Jones brings the classic British character to the big screen
For a character that only appeared in 13 short episodes, Mr Benn has had an unusually long cultural life.First broadcast on the BBC in the early 1970s, the seri...
Sofia Laurent 
Extraction 3 confirmed with Chris Hemsworth return and summer production start
Production on the third installment of the Extraction franchise is set to begin this summer, with Chris Hemsworth returning as Tyler Rake, the Australian black-...
Sofia Laurent 
Ryan Gosling and the Daniels’ next film — a project the industry is already watching
Some films arrive with marketing campaigns.Others arrive with silence — and that silence says more than any announcement.The upcoming project from Daniel Kwan a...
Jason Blake 
Scream 8 moves forward as Poker Face writers Lilla and Nora Zuckerman join the franchise’s next chapter
The Scream franchise is not slowing down. If anything, it is recalibrating.Following the commercial and cultural momentum of Scream 7, development is now offici...
Jason Blake 
Horror is no longer about fear and slasher films prove it
The assumption that audiences are tired of horror — particularly long-running slasher franchises — sounds convincing on paper. Sequels multiply, familiar masks ...
Sofia Laurent 
Jon Favreau Brings The Mandalorian and Grogu to the Big Screen for Disney’s Next Star Wars Film
For the first time in several years, Star Wars is preparing to return to cinemas with a project that does not start from scratch, but from something already pro...
Jason Blake 
Weapons prequel expands as Zach Shields joins Zach Cregger to develop Gladys origin story
The expanding universe of Weapons is moving forward with a new creative partnership that signals both ambition and strategic continuity. Filmmaker Zach Cregger ...
Jason Blake 
European Cinema Is Reclaiming What Hollywood Left Behind
Hollywood still dominates scale. It still controls distribution, visibility, and the global rhythm of releases. But scale is no longer the same as cultural cent...
Elena Varga 
It’s Fake Americana Is Formulaic and Degrading
But Spettacolo shows redemption through creativity.Afavorite David Mamet line obliterates the “sure-fire” entertainment offered by the new film adaptation of St...
Luca Moretti Spotlight
The Boroughs Review — The Duffer Brothers Prove They Were Never Just Stranger Things
The most interesting creative decision Matt and Ross Duffer made when developing The Boroughs — their first project since Stranger Things concluded its five-sea...
Steven Spielberg Returns to Large-Scale Science Fiction With Disclosure Day
There are directors whose names eventually become larger than genres themselves. Steven Spielberg belongs to that category. Audiences do not simply associate hi...
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