The Death of the Mid-Budget Movie — and What We Lost With It
Nosferatu 2025 è il film che Robert Eggers stava costruendo da sempre
Sinners: Ryan Coogler Builds a Blues Myth That Actually Bleeds
Conclave un film sul potere che non alza mai la voce
Rooster Review A Comfort Drama That Plays It Safe Despite Strong Cast
Normal Film Review A Neo Western Thriller That Hides Chaos Behind Small Town Calm
Mike and Nick and Nick and Alice Review A Chaotic Genre Mashup That Struggles to Find Its Voice
Margo’s Got Money Troubles Review A Glossy Drama That Avoids Its Own Reality
Why “Project Hail Mary” Feels Like the Last Optimistic Sci-Fi Blockbuster
The Housemaid: Proper Pulp Fiction That Doesn’t Pretend to Be Anything More
Why The Office still works as one of the most rewatched shows in modern television
Agora: The Gods We Choose
The Night of the 12th
Cam (2018): Remove the Protection from My Copy
The Bride Was Announced as Horror but Built as Something Else
Frankenstein Was Taken Seriously but Never Fully Believed
Prisoners: A High-Quality Adaptation of a Raw Script
Spoorloos: One director, one film - two completely different versions.
